The pearly treasures of the sea,
The lights that spatter heaven above,
More precious than these wonders are
My heart-of-hearts filled with your love.
The ocean's power, the heavenly sights
Cannot outweigh a love filled heart.
And sparkling stars or glowing pearls
Pale as love flashes, beams and darts.
So, little, youthful maiden come
Into my ample, feverish heart
For heaven and earth and sea and sky
Do melt as love has melt my heart.
- Heinrich Heine
Local musician Ashleigh Stone graced the town with her late-night, jazzy performance Tuesday at Triple Crown.
Stone and her band, Our Favorite Colors, successfully filled the venue with deep soul and rich energy.
The band consists of Stone on keys and vocals, Jason Wilkinson on drums, Kevin Colis on guitar and Ricardo Martinez on a variety on
instruments including additional keys, clarinet and saxophone.
I would describe the sound as this decade’s Fiona Apple, without the edgy teen angst factor. Stone’s vocals were low and subdued like those of Dawn Landes.
She had a vibrant disposition as she bee-bopped around and tapped her feet while playing the keyboard.
The band began the set with a poppy, energetic tune and made a smooth transition to a slow, melancholic song called “Amen.”
The crowd swayed and danced the entire set, regardless of the tempos played.
The song, “Lovely” seemed to be one of the more upbeat and popular songs.
Stone’s Web site biography describes her music as “a virtual playground. (It combines) traditional pop form with non-traditional expressions and new perspectives that create something uniquely modern, but always familiar.”
Stone is looking for new musicians to accompany her in a possible spring tour, according to her Facebook. As for now, she plans to stay in the area. Her next show is scheduled for New Year’s Eve at First Night Austin.
Ashleigh Stone and Our Favorite Colors were introduced by the southern rock band, King Fisher.
One of their original songs, titled “Pest,” especially held my attention. They closed their set with The Band’s “Take A Load Off Annie.”
The Bastard Boys Blues Band are a rowdy group of five 20-something-year-old men on a mission to cure their troubles by belting out the blues with a bottle of Jim Beam at their side.
The Bastard Boys are guitarist and lead vocalist Joe Wozny, guitarist Adam Brisbin, bassist Justin Filor, keyboardist Jamie Ringleholm and drummer Brian Dunn.
According to their Web site, the band’s main influences respectively include whiskey, women, trains and Parliament Lights.
The band proved its ability to blow minds and actively entertain the audience last Tuesday night at Triple Crown.
The lyrics display one-of-a-kind humor that kept me laughing throughout the much-too short, one hour-long set. The first song they played was “Swamp House Stomp” about traveling through a swamp and another was about the “brand new haircut blues.”
I could tell I was in for a good show within the first few minutes of the song.
The Bastard Boys even sang a town tribute called “San Marcos Blues,” which mentioned various parts and characteristics of the city, such as Triple Crown and fellow local band Zlam Dunk.
The band was diverse in its musical styles. It was apparent to me each member brought something different to the table.
They each had a broad range of talent and vocals alternated between Wozny, Brisbin, Ringleholm and Dunn throughout the set.
Wozny’s vocals would blow the minds of Tom Waits fans. Wozny had a raspy, bluesy tone that correlated well with the traditional heavy blues bass line and soulful, ardent keyboard solos.
Wozny was jittery and animated during and in-between songs, energizing the crowd, chanting back and forth with them. I was having a blast watching his outrageous performance.
The boys closed with “Over-privileged Hipster Blues,” which comically chronicled the trials and tribulations of the modern day college student.
I have always been a fan of blues and jazz music, and I can honestly say I was impressed with the members’ energy and ability to convey the traditional blues style of artists like the great B.B. King.
The Bastard Boys Blues Band is scheduled to play its next show Nov. 11 at Triple Crown.
Kent Finlay’s Cheatham Street Warehouse, built in 1974, is still booming after 35 years of honky-tonk bliss. The warehouse proved its ability to continue drawing in large crowds of western clad, country music lovers for Wade Bowen’s Tuesday night performance.
The show kicked off with The Wes Nickson Band from Austin. The band was mostly Texas country with a hint of traditional southern rock.
They play shows almost every other night, mostly around Driftwood and New Braunfels at Tavern on the Gruene.
The Wes Nickson Band’s first independently released album came out in 2005 titled Tired of Waitin’. The band played its latest hit single called “Barely Holdin’ On,” and despite the keen ability to make listeners tap their boots and sing along, the band members currently remains unsigned.
Wade Bowen and his band took the stage at 10:40 p.m. By that time, the crowd of people gathered closely and the bar nearly tripled.
Bowen announced this was the band’s first time to play at Cheatham Street and they got a warm welcome.
The band’s front man, Bowen, was born and raised in Waco. Bowen said he had a love for country and bluegrass music from an early age, and finally decided to break off and start making his way in the music business in 2001. Other members of the band include Bowen’s longtime friend and fellow musician, Matt Miller, along with Gary Wooten, Brooks Robinson and Caleb Jones.
The band played its current radio hit “You Had Me At My Best.” I could tell it was a fan favorite looking around the warehouse at all the people singing and toasting their drinks in the air.
Ashley Westbrook, psychology senior, has seen Wade Bowen play a few times and said she is never disappointed.
“They were amazing as usual,” Westbrook said. “He always puts on a great show, and he really knows how to entertain the crowd. I had a great time as always.”
Currently signed with Sustain Records, Bowen wants to remain true to his Texas country roots. He turned down a music video opportunity for their latest single.
“This ain’t no No.1 or No.2 on some CMT countdown,” Bowen said.
Like other artists in the industry, Bowen claims to be in it for the music and not the fame. However, the music video for their song “Trouble” does happen to be posted on CMT’s Web site. I found that rather interesting.
The debut album Try Not To Listen was released in 2002, followed by Live at the Blue Light and Lost Hotel in 2006. The group’s latest album is titled If We Ever Make It Home and came out in Sept. 2008.
The band has collaborated with artists such as Pat Green and Ray Wylie Hubbard and recently toured with the Randy Rogers Band, another Texas country favorite.
Wade Bowen is heading east for the next couple of weeks to play shows in Huntsville and Victoria, but will be back Nov. 25. in New Braunfels at Gruene Hall.
Local music junkies from the area, along with those just looking for a good time, found themselves at Bar One-41 last Saturday night for the highly anticipated and overly promoted 3D light show.
The bar opened its doors at 8 p.m., bringing the space above Barfish back to life by filling it with a source of entertainment and, subsequently, a crowd once again. Rest in peace, Lucy’s.
The show kicked off with plunging, hardcore sounds from Austin-based band, Newlywed that was followed by the energized boys of Zlam Dunk, a San Marcos favorite.
The Couch was the third band to inexplicably bring the beat to Bar One-41 with a soulful, catchy sound.
Fulton Read, a piano rock band originally from The Woodlands, headlined the show. Although their set was scheduled four hours into the show, the crowd managed to hold for the most part, and I can safely say they held out for an interesting display.
Anthony Erickson, vocalist and pianist of Fulton Read, said the group has been together for almost five years now and have been performing since their high school days.
They have released three CDs since their arrival in San Marcos including How Rocks Become Mountains, Out of the Woods and their latest EP titled Indivisualize, composed of four tracks completely free and available on their website, www.fultonread.com. The band appears to have been successful in their local shows and musical endeavors. Their first two CD releases alone sold over 1500 copies.
Their influences in jazz and piano-centric music were obvious throughout their performance, and the presence of Austin’s Hellfire Horns brought something fabulously fresh and jazzy to the stage. I especially enjoyed their cover of the funk rock classic “Sunshine of Your Love.”
Fortunately the music was a delightful crowd pleaser because it made up for the lack of psychedelic effects produced by the 3D light show. Whether it was the lights across the white backdrop or a defective pair of three-dimensional paper glasses, I was sadly not impressed. I give props to the originality of thought in the planning of the event, but the single red star and slight glow around each band member was not the outcome I was expecting.
Nonetheless, the square got a little more action than usual Saturday night, and it was still a great time for the many for gave it a shot.
Erickson, also a Mass Communication senior, was impressed by the large turnout and glad people were able to make it out.
“The people here have great class and love to come out and party,” said Erickson. “It was a lot of fun, and it was great to get to play a show with other [talented] local bands.”
Tantra Coffeehouse has become a San Marcos staple for locals and must see for visitors.
It is not only a great place to study and relax with the indulgence of a tasty beverage or snack, but also a perfect location for witnessing some of the town’s finest live music.
Tuesday nights are dubbed the name “Gypsy Jazz Nights”, which are just the cure for long, stressful work or school days.
Locals and students gather out in the side-yard to drift away to some easy-going, mellow tunes played by a few of the best small time, innovative musicians.
Texas State senior, Anne Ruthstrom said she really enjoys Gypsy Jazz Night and tries to make it out every Tuesday after she gets off work.
The jazzy guitars and eclectic sounds of Gypsy Jazz Night can be heard from blocks away from 9 p.m. to midnight.
Every second and fourth Wednesday of each month are “tribal nights”, which sometimes even include belly dancers and belly dance lessons to rumble and roll of tribal drums and bongos.
Thursday nights are Open Mic nights, and Fridays and Saturdays host even more delectable live music acts for local enjoyment.
However, Tantra isn’t merely limited to delicious coffee, tea and absurdly divine music. Sundays are devoted to afternoon unicycle football tournaments out in the parking lot and also poetry readings in the evening.
